ABOUT ME
MY STORY
I graduated from the Moholy-Nagy University of Art and Design (MOME) in Budapest as a leather and textile designer, but my professional path early on moved beyond traditional design roles. As the light industry declined, visual culture and the world of magazines became my natural environment. I began working as a stylist, initially with both fashion and interiors, and soon realized that working with space truly resonated with me.
Over the years, I have worked as an editor, stylist, florist, event and décor designer, serving as art director for numerous weddings, gastronomic projects, and complex events. All of these experiences have shaped the way I approach interior design today: conceptual thinking, sensitivity to detail, and a strong connection to the practical aspects of implementation are equally important to me.
I returned to interior design after the birth of my children, this time with a deeper, more systematic way of thinking. Today, I live in Switzerland with my architect husband while primarily working on projects in Hungary, alongside a few local commissions. Most of my projects are long-term collaborations based on shared thinking, where clients actively participate in the realization, while I provide the design, professional, and conceptual framework.
PHILOSOPHY
For me, an interior is first and foremost a living space — an environment that must function well in everyday life and reflect the personality and lifestyle of those who inhabit it. A well-designed layout, carefully considered functions, and proper storage solutions are not technical details but fundamental elements of quality of life. I believe that the order — or disorder — surrounding us has a direct impact on how we feel.
An equally important layer is style. My motto, “Le style est l’homme même” — style is the person themself — is not an aesthetic statement but one of identity. Style is not a decorative layer applied to a space; it is the physical expression of our inner values, mindset, and sensitivity. In this process, I see myself not as someone who dictates, but as a guide — supporting my clients in finding an environment where they can truly feel at home.
I am deeply connected to design culture, the object culture of the mid-20th century, and the quality of craftsmanship, while strongly believing in democratic design. For me, good design is not a privilege but an accessible quality. Aesthetics are not a luxury; they are a fundamental human need — even when objects are made from simpler materials.